The current exhibition is a reaction to the space where it takes place.
It's called Untitled.
The name seemed convenient to us, firstly because it's also the name of the artworks,
as well as because of its association with something nameless, something that's absent in the society.
In this case it's the topic of the holocaust of Romani people the artist chose to present in individual artworks.
The topic of this exhibition is something I focus on since 2014 when I started making one minute long performances dedicated to the victims of the Romani holocaust in the Polish Czarna Góra and Garbatka.
The performances took place near Auschwitz, near the forests in Auschwitz.
It was about connecting any kind of "different" that was a victim of the holocaust.
The exhibition presents two large projections placed in the main room of the synagogue.
The first one is a video called Untitled 19 where the artist shot her own performance near Oswiencim, which was the largest concentration camp built by the Nazis.
The performance presents a symbolic walking away from her Romani indentity with the use of a large, decorative, Romani shawl which connects the entire exhibition together.
The second projection shows a performance at a beach at Coney Island.
The artist again uses the Romani shawl in the performance and uses it to face a strong wind in a dramatic way.
The entire depiction is a slow motion action at a beach which is supposed to symbolize the Statue of Liberty of the Romani nation.
It's a celebration of the Romani history on this continent.
The artist also presented a completely new artwork - a spatial installation, that shows a large photograph.
It's a record of her performance where she placed her body to remind the visitors of the painting Ophelia by Sir John Everett Millais, where Ophelia is dying.
She associates this artwork with melancholy, the tragedy of Romani people.
She connected the painting with the synagogue space with a fragment of nature and an object - a black tub.
The object is called Black purity which references the Jewish culture - to the ritual bath in Mikve which is an integral part of the architecture of synagogues.
She uses the black tub in combination with the Romani shawl to reference to the connection of people with darker skin and its connection with destiny and cultural code.